Archives for posts with tag: fairy tales

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A few years ago, the saying ‘play the hand you’re dealt’ became popular. It popped up in cultish episodes of Stargate Universe, dropped from the mouth of champion sportspeople, and was generally bandied around. Suddenly it seemed that stoicism was fashionable. Now let me flashback to the long ago days of my Tasmanian childhood, when I used to play poker with my cousins, using matches as currency. Back in the day, the expression ‘bag o’nails’ meant that you ain’t got nothin’. Your hand failed to yield a pair, three of a kind, and was completely lacking in any kind of flush or run. While you might have had one or two good cards, perhaps an ace or a face card, together they didn’t fall into any kind of discernable pattern.

Similarly, my week has had some great cards, some stinking ones, and I’m yet to see the logic of it all. In the words of the great Kenny Rogers, I don’t know whether to hold ‘em or fold ‘em. This nostalgia for poker and playing one’s hand has triggered repeated bouts of singing The Gambler, which along with The Hurricane, is one of the few songs I know all the words to (sort of).

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The ace in the pack was Sophie’s eye surgery, which went splendidly well. The poor kid puked a few times after the anaesthetic, but otherwise healed in record time, and her eyes are now working fine. Great stuff! During our stay, we found what is possibly Sydney’s best gelato store. I have to recommend the pannacotta with fig jam and ameretti: if you’re in the area, it’s ice cream worth committing armed robbery for.

We came home from the hospital just in time for Halloween. In a last minute shopping expedition to our local supermarket, no pumpkins were to be found, so we brought home a melon and carved that instead. Strangely, the scale of the melon, very close to size and shape of a human skull, looked particularly creepy when cut. This was accentuated when we covered it with ‘day of the dead’ party candles and stuck it on a big white plate surrounded by chocolate frogs.

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Halloween, being more of an American celebration, and the whole thing about adopted traditions, leads me to the next card in my pack. Regular readers of this blog will know that for the last few years I’ve been fascinated by fairy tales. This manifested itself in Happily Ever After, a cute little exhibition of artists’ books, organised by fellow artist Caelli Jo Brooker and myself, and more recently in my PhD topic. I’m writing about the relationship between women, animals and power in revisionist fairy tales.

Happily Ever After brought together more than seventy artists, writers and bookbinders and asked them to work together to create new versions of traditional fairy tales, via the format of handmade books. And there were some crackers. Writer Danielle Wood partnered with illustrator Tony Flowers to invent a new version of the Japanese fairy tale Momataro, while a group of artists responded visually to passages from Carmel Bird’s book Cape Grimm.

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As a result of this project, I got to know Carmel Bird via email, and she very kindly asked me to be part of a book project she was putting together. Carmel wanted to look at how European fairy tales had merged with Australian or Aboriginal storytelling traditions, and ask ‘Is there an Australian fairy tale tradition?’ In the end, because this is a fairly esoteric area, she was having difficulty getting a publisher, so I suggested that she take the idea to the Griffith Review, dubbed ‘Australia’s best literary journal’, and offer her services as a contributing editor. I’m pleased to say that the Griffith Review just published a fairy tale themed edition, with Carmel Bird as part of the editorial team. My essay, ‘Metafur: literary representations of animals’, is also part of the edition. I’m quietly proud of this, and thrilled that fairy tales, as a topic of popular and academic interest, seems to be growing in this country.

But while this was a nice card, I also got dealt a joker. For the last few weeks, during exercise, I’ve been getting this strange pins and needles feeling, mainly in my left leg. On Monday, during a cardio class, it spread and became more intense. After the class I started feeling quite peculiar. I thought it might be a blood sugar issue, as I’d only had a light breakfast, so I ate a museli bar and fruit, but this didn’t make a difference. Then I thought it might relate to circulation, so I had a hot shower: still no difference. After this, I resorted to a cup of tea and sitting on the sofa. Even this classic first aid strategy didn’t help.

By this stage, I was experiencing numbness in three patches on the left side of my body, and with even the remote possibility of an impending stroke scaring the crap out of me, I hot tailed it into the nearest Emergency Department. To cut a long story short, after numerous tests, they’re still not sure what went wrong, but I’ve been referred along to a nuerologist and for a brain catscan. I’ve always said my thinking is disordered, and now I’ll have the evidence to prove it! Predictably, at least two people have ripped me off about the perils of physical exercise.

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 Image credit: the portrait photograph of Sophie, and the one of my mother, Sophie and I (above), are the fine work of Firebug Photography

Deep South

I thought I’d post a few images from my recent show, Strange Tales, at Despard Gallery, Tasmania. The exhibition was opened by Danielle Wood, who stood in front of this painting and spoke about the odd interplay of the nest of eggs, a symbol of hope, surrounded by writhing worm creatures.

Earlier we’d spoken about this symbol, the nest surrounded by worms, death of hope writ large. I used to breed poultry and one fateful day, after heavy rains, a broody hen abandoned her nest of hatching chicks. The wet and the humidity quickly set in and so did the flies: you can imagine the rest. It turned out that Danielle had seen a similar thing and had been so struck by the image that she turned it into a short story.

Cloud Atlas

This one’s titled Cloud Atlas, after David Mitchell’s book of the same name. No obvious links with the narratives, but I loved the title and the various associations with dreaming: head in the clouds, on cloud nine, clouds with silver lining; also this idea of trying to map something that is constantly in a state of flux.

The painting shows my cousin Rachel and I, as early teenagers, dream-thinking our future lives. In the clouds are small cameos of various desires and fears.

The Secret (on left hand side) and Pleasure Garten 1

The Secret, on the left, is actually an older painting from my last show at Despard back in 2009. Pleasure Garten 1 is a more recent work, inspired by a book about the history of zoological gardens and, more generally, Indian miniature painting. People are doing rude things in the house.

 

I greatly enjoyed making these Sirena drawings, which are a simple, very simple, watercolour wash and then a small amount of detailing with black ink and white gouache. The images show a slow transition of a fish, with a woman’s profile, into something more complex. The final fishes have internal organs that are more human than animal.

After the hyperbolic treatment and intensity of the paintings, I loved the zen moment of just letting paint flow off a brush and bleed onto rag paper.

Sirena drawings

And here’s some more Sirena drawings. I’ve recently become a bit obsessive about the moment in fairy tales where a human turns into an animal, or vice versa, that precise piece of enchantment. The moment where the creature hovers between the two states…

Tiger Bride study

This is a study based on a short story I wrote and folded into my re-telling of the Arabian Nights: 1001 nights: being an Erotic Memoir, and Private Journal, of the Virgin Scheherazade- a gripping tale of love, death, identity, transformation and metamorphosis. There was a funny episode on Sesame Street about a newt that experiences a transformation into a salamander. Anyway, the newt had a Southern American accent and Big Hair, so by the time I get to the end of my title I’m already doing a kind of old style revival: met-a-mooorph-o-sis!

Exhibition in situ

Nice placement of Deep South in an elegant arched recess.

Pleasure Garten 1

A closer view of Pleasure Garten 1. The original idea was to paint a garden full of extinct species, but they turned out more mythological.

Sirena drawing close up

Another Sirena image, this time with human foetus.

Tiger Bride

Another shot of a painting I’ve previously blogged about, Tiger Bride. 

Zoo Garten 1

Like Pleasure Garten 1, Zoo Garten 1 was supposed to be stocked with extinct species, but this didn’t work out. The animals are quietly contained, in too small enclosures. The composition reminds me of a Victorian board game.