Archives for posts with tag: #writer

Picture this. It’s a rainy day in Newcastle, streets awash, gutters overflowing. Mud everywhere. You’re driving an old black van with trade gear rolling around in the back. The rain is so heavy that you can barely see the road, and you desperately hope that other drivers can see you. Finally, you arrive at your destination and as luck would have it, there’s a carpark just across the road…

You pull a heavy cardboard box out of the back of the van, wait for a gap in the traffic and bolt across the road. You’ve made an attempt to look less scruffy than usual, but by the time you get to the other side your hair has gone back to its default setting of Mongolian Rat Catcher and the mascara is limbering up for a sprint.

This, however, is one of the most exquisitely liminal moments of your life…

Your destination is a bookshop, Betty Loves Books at The Station in Newcastle, to be precise. And the cardboard box contains 38 illustrated copies of your newly printed book, The Nights. For any writer, this is a proud, proud moment…

The Nights began life as a series of private journal entries way back in 2009 when I had a new born baby and was recently separated. It evolved over time, finding life first as an artist’s book exhibited at The Lock Up in Newcastle, then at the heart of a Creative Writing PhD at the University of Newcastle, an audio book narrated by the brilliant Kelly Burke, and now as an illustrated book. It’s been quite the journey!

Thanks so much to book designer Lucy Jones, and for these gorgeous illustrations by Abbey Hindmarch, Jacqueline Rheinberger and Phoebe McMillan, respectively. And thank you to Betty Loves Book for being the first bookshop to take my book x

Coming to the end of my Lighthouse Arts residency in Newcastle. There’s something about this space – the constant sound of the sea, white walls, absence of domestic belongings, quiet, steepish trek up the hill to get there – that makes it a remarkable place to create work.

Being on top of a headland, overlooking ocean or harbour on all sides, has re-ignited my passion for the sea. In a previous life, I was a sailing journalist, and I’ve always loved boats and being near the water. I’ve spent a lot of time during this residency just watching the way the wind hits the water, and how sea and sky change colour during the course of a day.

At times, wind hits the headland with such strength that it seems like a living creature. On the day I drew these tugs, the air was taut, muscular, heavy. Everything churned – the sea, sky, trees and grass, whipped around like glitter.

Enjoying the challenge of drawing and painting from life in these conditions! It forces certainty – quick decision making and fast lines – to capture the energy of the moment.

If you’d like to apply for a Lighthouse Arts residency, here’s the link: https://lighthousearts.org.au/residencies/

Delighted to announce that I’ve been awarded Creative Australia’s Keesing Studio for Australian writers in Paris! I’ll be heading to France later this year to spend a month working on a memoir/auto-fiction about the year I spent dressed as Marie Antoinette (My Year as a Fairy Tale): can’t wait!

The Keesing studio was bequeathed on a 75 year lease by the late Nancy Keesing back in 1985 as an opportunity for Australian writers to work in a new and inspiring environment. It’s an incredibly generous gift and one which a former writer-in-residence, playwright Vanessa Bates, has described as life-changing. At any one time, the Cité hosts about 300 artists working across a diverse range of media and artforms, so the potential for creative and cross-cultural collaborations is rich.

Thanks to everyone who has helped get My Year as a Fairy Tale off the ground! The Centre for 21st Humanities at the University of Newcastle provided seed funding for the initial performance – thanks in particular to Hugh Craig and Ros Smith. The performance was documented a number of talented people including videographer Jess Coughlan, filmmaker Tyler Beckley and crew, photographer Lizz Mackenzie, with costume design and construction from Kadisha Patterson and Tamara Findlay, and a nifty logo by Caelli Jo Brooker. Many others helped with make-up, hair, locations, venues, photography, funding, encouragement and …. cake!!! After the performance, when I decided to write a book about the experience, acclaimed writer and writing mentor, Kathryn Heyman, suggested the memoir form.